Pamela Anderson appearing on the cover of Playboy is hardly remarkable. Her picture on the front of this month's is her 13th.
But Pamela uses this occasion to highlight a previously unknown talent, that of writing poetry. The word "talent" is up for debate as Pammi's verse proves to be about as scant as the outfits she wears and is unlikely to challenge Wordsworth's legacy any time soon.
To save all you poetry addicts rushing out to buy a copy of Playboy here's Pammi's contribution to world literature.
"Our best isn't good enough - right now our eyes are far-reaching. Please let's show the good in us... The brilliance... The wonderful... It's abundant - it's just not tapped as it should be," she writes
http://www.thehollywoodgossip.com/2010/12/pamela-anderson-covers-playboy-with-a-poem/
Monday, December 20, 2010
Saturday, December 11, 2010
The Seafarer
The Seafarer was one of the first poems I taught to a disaffected and disinterested 12th graders in my short and unsuccessful stint as an English teacher. Still it stands the test of time. The poem was told almost 2,000 yeara ago and passed on by word of mouth in the mead halls of the Anglo Saxons.
It's a long poem but here's the first quarter.
The Seafarer
This tale is true, and mine. It tells
How the sea took me, swept me back
And forth in sorrow and fear and pain,
Showed me suffering in a hundred ships,
In a thousand ports, and in me. It tells
Of smashing surf when I sweated in the cold
Of an anxious watch, perched in the bow
As it dashed under cliffs. My feet were cast
In icy bands, bound with frost,
With frozen chains, and hardship groaned
Around my heart. Hunger tore
At my sea-weary soul. No man sheltered
On the quiet fairness of earth can feel
How wretched I was, drifting through winter
On an ice-cold sea, whirled in sorrow,
Alone in a world blown clear of love,
Hung with icicles. The hailstorms flew.
The only sound was the roaring sea,
The freezing waves. The song of the swan
Might serve for pleasure, the cry of the sea-fowl,
The death-noise of birds instead of laughter,
The mewing of gulls instead of mead.
It's a long poem but here's the first quarter.
The Seafarer
This tale is true, and mine. It tells
How the sea took me, swept me back
And forth in sorrow and fear and pain,
Showed me suffering in a hundred ships,
In a thousand ports, and in me. It tells
Of smashing surf when I sweated in the cold
Of an anxious watch, perched in the bow
As it dashed under cliffs. My feet were cast
In icy bands, bound with frost,
With frozen chains, and hardship groaned
Around my heart. Hunger tore
At my sea-weary soul. No man sheltered
On the quiet fairness of earth can feel
How wretched I was, drifting through winter
On an ice-cold sea, whirled in sorrow,
Alone in a world blown clear of love,
Hung with icicles. The hailstorms flew.
The only sound was the roaring sea,
The freezing waves. The song of the swan
Might serve for pleasure, the cry of the sea-fowl,
The death-noise of birds instead of laughter,
The mewing of gulls instead of mead.
Thursday, December 9, 2010
New verse by jailed Chinese poet is published in the US
Poetry by imprisoned Nobel Peace Prize winner Liu Xiaobo (lee-OO' show-BOH') is coming out in the U.S, according to the Associated Press.
Graywolf Press announced Thursday that "June Fourth Elegies" will be published in 2012. It is a bilingual edition of verse by the 54-year-old Chinese dissident and literary critic.
Liu is serving an 11-year prison sentence for subversion handed down last year after he co-authored an appeal for human rights and political reform.
Needless to say his book hasn't been published in China. It refers to the 1989, suppression of pro-democracy demonstrations at Tiananmen Square.
Here's an extract from his writing.
Experiencing Death
From a wisp of smoke to a little heap of ash
I’ve drained the drink of the martyrs, sense spring’s
about to break into the brocade-brilliance of myriad flowers
Deep in the night, empty road
I’m biking home
I stop at a cigarette stand
A car follows me, crashes over my bicycle
some enormous brutes seize me
I’m handcuffed eyes covered mouth gagged
thrown into a prison van heading nowhere
Graywolf Press announced Thursday that "June Fourth Elegies" will be published in 2012. It is a bilingual edition of verse by the 54-year-old Chinese dissident and literary critic.
Liu is serving an 11-year prison sentence for subversion handed down last year after he co-authored an appeal for human rights and political reform.
Needless to say his book hasn't been published in China. It refers to the 1989, suppression of pro-democracy demonstrations at Tiananmen Square.
Here's an extract from his writing.
Experiencing Death
From a wisp of smoke to a little heap of ash
I’ve drained the drink of the martyrs, sense spring’s
about to break into the brocade-brilliance of myriad flowers
Deep in the night, empty road
I’m biking home
I stop at a cigarette stand
A car follows me, crashes over my bicycle
some enormous brutes seize me
I’m handcuffed eyes covered mouth gagged
thrown into a prison van heading nowhere
Friday, December 3, 2010
Verse of the Day - Sylvia Plath
I can rely on Sylvia Plath for a happy verse to celebrate a hard day's Friday night...
The Dead by Sylvia Plath
Revolving in oval loops of solar speed,
Couched in cauls of clay as in holy robes,
Dead men render love and war no heed,
Lulled in the ample womb of the full-tilt globe.
No spiritual Caesars are these dead;
They want no proud paternal kingdom come;
And when at last they blunder into bed
World-wrecked, they seek only oblivion.
Rolled round with goodly loam and cradled deep,
These bone shanks will not wake immaculate
To trumpet-toppling dawn of doomstruck day :
They loll forever in colossal sleep;
Nor can God's stern, shocked angels cry them up
From their fond, final, infamous decay.
The Dead by Sylvia Plath
Revolving in oval loops of solar speed,
Couched in cauls of clay as in holy robes,
Dead men render love and war no heed,
Lulled in the ample womb of the full-tilt globe.
No spiritual Caesars are these dead;
They want no proud paternal kingdom come;
And when at last they blunder into bed
World-wrecked, they seek only oblivion.
Rolled round with goodly loam and cradled deep,
These bone shanks will not wake immaculate
To trumpet-toppling dawn of doomstruck day :
They loll forever in colossal sleep;
Nor can God's stern, shocked angels cry them up
From their fond, final, infamous decay.
Friday, November 26, 2010
Tom Waits to publish book of poetry
Tom Waits, a singer whose appearance often resembles someone who forages trash cans for a living, is to publish his first book of poetry.
The Guardian reports Waits is to publish his first book of verse, in collaboration with photographer Michael O'Brien. Hard Ground is described as a portrait of homelessness, combining Waits's words with images of people who "live on the hard ground".
This is a publishing debut for Waits, a songwriter who, after 40 years, dozens of film appearances and about 20 albums, has noticeably avoided committing himself to print. In a 1975 interview, according to TwentyFourBit, he said "poetry is a very dangerous word". "I don't like the stigma that comes with being called a poet," he said.
"So I call what I'm doing an improvisational adventure or an inebriational travelogue."
See - http://www.guardian.co.uk/music/2010/nov/23/tom-waits-first-book-poetry?CMP=twt_fd
The Guardian reports Waits is to publish his first book of verse, in collaboration with photographer Michael O'Brien. Hard Ground is described as a portrait of homelessness, combining Waits's words with images of people who "live on the hard ground".
This is a publishing debut for Waits, a songwriter who, after 40 years, dozens of film appearances and about 20 albums, has noticeably avoided committing himself to print. In a 1975 interview, according to TwentyFourBit, he said "poetry is a very dangerous word". "I don't like the stigma that comes with being called a poet," he said.
"So I call what I'm doing an improvisational adventure or an inebriational travelogue."
See - http://www.guardian.co.uk/music/2010/nov/23/tom-waits-first-book-poetry?CMP=twt_fd
Thursday, November 25, 2010
A poem for Thanksgiving
Pied Beauty
Gerard Manley Hopkins
GLORY be to God for dappled things—
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
Landscape plotted and pieced—fold, fallow, and plough;
And áll trádes, their gear and tackle and trim.
All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Praise him.
Gerard Manley Hopkins
GLORY be to God for dappled things—
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
Landscape plotted and pieced—fold, fallow, and plough;
And áll trádes, their gear and tackle and trim.
All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Praise him.
Monday, November 8, 2010
To Autumn - John Keats
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o'er-brimm'd their clammy cells.
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
Drows'd with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.
Where are the songs of spring? Ay, where are they?
Think not of them, thou hast thy music too, -
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.
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